A Graphic Interlude

Thanks to Mad Hatter for the heads-up on this one: Mike Mignola's very impressive cover art for the upcoming graphic novel 'Joe Golem and the Drowning City': (You can pop over to their post for a larger / more detailed look)

Mignola is one of my long-time favorite illustrators.  I have his 2008 HPLovecraft Film Festival poster framed and hung prominently in my house:

Hm, yes, ok, a bit of theme there.  Still, I am very much looking forward to this release.  Details (filched verbatim from Mad Hatter, again, many thanks):

Here is the pitch that originally sold the book, which gives us a bit more color:

A supernatural-steampunk illustrated novel following an orphaned teenage girl, an aging conjurer, a lunatic scientist, a Victorian occult detective, and the stalwart sidekick, Joe Golem, as they struggle for the fate of an alternate 1970s Lower Manhattan, which sank into the water during a catastrophe in 1925, leaving those unwilling or unable to abandon it to make a new life in streets turned to canals.

Joe Golem and the Drowning City, will be released March 27th, 2012 from St. Martin's with at least one sequel to follow. Mignola will be doing about 100 pieces of art of the interior as well. Mark down another 2012 book for your to-procure list.

Punch & Judy: Modern Interpretations part 1

Punch and Judy by Carlo Giordano

I've long been enchanted by puppetry, and have a particular fondness for the classical Punch & Judy and their associates.  The history of Punch & Judy dates back to the 17th century, although the characters have roots in the Italian Commedia dell'Arte tradition which began as far back as the 16th century.

Unlike most modern children's entertainment, the Punch & Judy tale was quite dark, with Mr. Punch basically killing off all of the other puppets including The Baby, Judy, The Constable, and ultimately The Devil.  Mr. Punch was a thoroughly unlikeable character, selfish and mean, and yet he has attracted audiences and devotees throughout the centuries.

In 1992, Neil Gaiman and Dave McKean published "The Comical Tragedy or Tragical Comedy of Mr. Punch".  Their interpretation highlights the darker, creepier aspects of Mr. Punch and the performers (carnies, hucksters) who have kept the beachside puppet show alive over the years.

The story follows a young boy who is sent to his grandparents' house near a beach, where he finds an old rundown puppet theater tent. There he experiences the terror of watching Mr. Punch throw the baby out the window for the first time.

Later he visits his grandfather's spooky, failing arcade a short ways from the beach, and meets a Professor (as the puppeteers refer to themselves) and his bottler (who collects the pennies and interacts with both puppets and audience).

The artwork is a blend of illustration, photography, and collage used to great effect.  It evokes feelings of age, dust, crookedness and defeat, and really captures the strangeness and inconsistency of adults as seen through the eyes of a child.

Gaiman and McKean are long-time collaborators and are perhaps best known for the Sandman series of graphic novels and, more recently, Coraline which was turned into a popular film.  This may be my favorite creation by them, though.  It's a great tale which is true to the tradition and history of Punch & Judy, and the execution of the story, text and artwork is beautiful.

Tragical Comedy Or Comical Tragedy of Mr. Punch
by Neil Gaiman

Check back soon:  In the next edition of Punch & Judy: Modern Interpretations,  we will explore another contemporary publication, The Comical Tragedy of Punch and Judy by Christopher P. Reilly and Darron Laessig.